Ramzia Jawara

City:

'WHAT IS MINE?' Colonisation of Body, Mind and Culture.

  Capitalising on the stereotypes associated with black people; aggression, violence, hyper-sexuality and lack of control; following a journey of dark history following the impact that has been left on the black body and the Global South, with particular focus on the position of the black female in the oppressive, phallocentric racial matrix.

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United Kingdom
London
I'm originally from Hong Kong. Having lived in multiple countries from a young age, I have come across people from all walks of life. These experiences, both good and bad, have influenced her culturally and personally. My work revolves around travel, diasporas, and the human condition. I combine my...
China - Hong Kong / Macau
Hong Kong
The idea of Unpeeling started with one of the artist’s grandma’s after dinner habits - peeling oranges and share them with her family. The act of peeling oranges symbolizes sharing, connecting and healing. Peeling the orange reveal the vulnerable center, and metaphorically this action exposes the ar...
United States of America
New York
Natalia Almonte was born and raised in San Juan, Puerto Rico. She holds both an MFA in Fine Arts from Parsons and an MA in Art History and the Art Market: Modern and Contemporary Art from Christie’s Education. While at Christie’s, Almonte received the Alumni Association Award for Contemporary Art Co...
United States of America
Las Vegas
I am a mature female artist, who uses photography, yarn, and anything that solves the visual challenges I face. During Covid -19 isolation, I have had time to look back at a long carreer in the visual arts, and continue to create new works, while valueing my 50 year output. 
Israel and the Occupied Territories
Givataiym
As a computer graphics artist I work in front of my computers’ screens, employing a variety of 2D and 3D digital graphics programs as my brushes, my palettes of paints as well as my cameras, with which I create my artworks. These are usually about fantastic realities, as if to follow Valerio Adami’s...

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