Ethel Lilienfeld

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Ethel Lilienfeld's work, which questions notions of identity, femininity and intergenerational family connectivity, is shown through an autobiographical lens. The body occupies an important place in most of the depictions arranged by the artist. While she uses photography, sound installation or video, her devices are nonetheless related to sculpture and the relationship to space is crucial. In her videos, Ethel Lilienfeld discourses with the actors and installs the sets and objects by drawing alternately from fiction and reality.

RITA 2020, video device, 1.35'' in loop, tripod, 40" flat screen, milk puddle The portrait of a woman appears on a luminous screen in space. She is crying white tears. The flesh and milky tones of the video plunge us into an intimate and delicate universe in contrast with the silent violence of the pale tears rolling down her cheeks. Her posture recalls that of the Madonnas, a recurring theme in religious painting. Almost motionless, the immaculate liquid coming out of her eyes is disturbing: Is it milk? The ambiguity is prolonged in her nocturnal dress stained by her tears. The work combines softness and a crack in a boudoir atmosphere. Watch the video: https://vimeo.com/401004824
SHE WAS TRYING TO RECONCILE WITH THE NIGHT video installation, 2018 A screen is standing in the room and shows a naked women sitting on his bed, repeating the same slow and cautious move: she is sewing something. The viewer does not know for sure if this woman is sewing the bed or herself. As the stretched thread slowly cuts out the space, the scene appears out of time. We cannot say if the blue lights are due to late or early hours. The video repeats itself, in a loop. Watch the video: https://vimeo.com/270687121

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United States of America
New York
Natalia Almonte was born and raised in San Juan, Puerto Rico. She holds both an MFA in Fine Arts from Parsons and an MA in Art History and the Art Market: Modern and Contemporary Art from Christie’s Education. While at Christie’s, Almonte received the Alumni Association Award for Contemporary Art Co...
Saudi Arabia
Jeddah
Series /pəˈfɔːm(ə)ns/: a silent story told, a statement, a performance. To lessen misunderstandings in this sensitive subject, let’s invoke the book of words, for, beyond words’ immediate denotations, they have connotative powers. The Process: Performance (Oxford Dictionary Online): 1. ‘An...
United States of America
New York City
After extensively exploring digital photography and video. From 2018, Yuan has begun to examine analog photography again – produce an ongoing diary series of private scenes - "Vague." She uses a medium format camera - Mamiya C330 twin lens to capture her idea. Each photo produced like a small intima...
United States of America
Las Vegas
I am a mature female artist, who uses photography, yarn, and anything that solves the visual challenges I face. During Covid -19 isolation, I have had time to look back at a long carreer in the visual arts, and continue to create new works, while valueing my 50 year output. 
Belgium
Brussels
Ethel Lilienfeld's work, which questions notions of identity, femininity and intergenerational family connectivity, is shown through an autobiographical lens. The body occupies an important place in most of the depictions arranged by the artist. While she uses photography, sound installation or vide...

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